At The Bastille In Paris for Guitar Strings

Seeing pictures of young Socialist Party supporters celebrating their Presidential Election victory in Paris at the Bastille, reminded me of the few occasions I visited the  Bastille myself.

Paul Beuscher la librairie musicale de Paris

Paul Beuscher la librairie musicale de Paris

When I lived in Paris the only time I ever came out of the Metro at Bastille would have been to go to the big music shop, Paul Beuscher. It’s still there today, not covering quite so many shop fronts, and specialising more in pianos than guitars, but still there. The first time I went on the advice of somebody who had told me it was the best place to buy replacement guitar strings, because you could buy singles instead of having to buy a new set every time one broke. Breaking strings was an occupational hazard, we didn’t have portable amplifiers in those days, played purely acoustically, so there was a tendency in noisy corridors or streets to get maximum volume by hitting the strings hard. You know that if you go just a little bit too far a string will break, but every so often you get carried away and it happens. I was asked very recently why I don’t cut off the ends of the strings like most guitar players do when restringing, and it’s for that very reason. If a string breaks near the bridge, which is the most likely place, you can sometimes put the same string back on again, by retrieving the little nipple end that’s fallen inside the hollow guitar body, threading the end of the string through the ring,  tying a knot in it and then tightening the string back up to playing tension again. But you can only do that if there is enough leftover string beyond the machine head to pull back through a couple of inches at least. If it works, then that’s great – you can carry on playing the same pitch without having to go away and find a replacement. Of course you could always carry a set of spares around all the time, but that would have required a certain organised resourceful lifestyle which just wasn’t possible in the 1970s!  I had more than most, though, which meant that other guitarists often asked me if I could lend them a spare D string or more likely a top E in passing. I couldn’t afford to do that very often at all of course, otherwise it would have just been me all the time having to make the trek to  Paul Beuscher’s music shop at Bastille to replenish everybody else’s supplies.

The Mazet Paris

The Mazet Paris

One occasion was a more sever emergency than just a string break. I had a guitar stolen from underneath the pinball machine in the cafe Mazet. Having the means of earning a living suddenly disappear is quite a scary position to be in. As luck would have it, the music shop had a big sale on which included a bin full of broken guitars at next to nothing prices.  After rummaging around I was able to find an Epiphone six string guitar that was only damaged by a large split on the side of the body.  So it was perfectly playable and the sound quality seemed oddly unaffected by the broken wood too. A snip at 150 French francs, equivalent to about £15 then and maybe about £150 in today’s money. Musical instruments and most other thing were generally more expensive in France than in England, particularly so in Paris. Still are. Mid range guitars are probably quite a bit cheaper now than they were then, you could probably buy a playable guitar brand new and undamaged for the same amount, it wouldn’t be as good as my old Japanese built Epiphone though. A few years later Epiphone moved production of their guitars from Japan to Korea and the build quality suffered. Now they make cheap guitars in China, nothing to do with the original Epiphone. I kept and played that old broken Japanese Epiphone for many years afterwards, until the fixed bridge broke and I didn’t get around to having it fixed, what with the broken side as well. Then somebody persuaded me to sell it to them, which I should never have agreed to. Nearly all the guitars I’ve ever sold, I wish I still had. That’s life.

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Red Bush Spiced Tea

If you drink tea instead of coffee because the day is getting later and you don’t want coffee to keep you awake later when you go to bed, well did you know that a cup of tea contains about a half as much caffeine as a cup of instant coffee anyway? People who enjoy a nice cup of tea tend to carry on drinking several or many cups a day, so the total caffeine intake can become the equivalent to drinking two or three cups of coffee in the afternoon and evening, which is asking for trouble right?

I don’t drink beer and wine very often these days, and I’ve never enjoyed fizzy sugar drinks so I started drinking herbal teas decades ago of various sorts, and some are really good but only in small doses. Then I discovered the Rooibos or Redbush tea, branded as “11 O’Clock” or “Tick Tock” which is a caffeine free herb tea that actually tastes more like black tea than the green herb and fruit concoctions, and quite soon becomes an acquired taste that is actually more satisfying and thirst quenching than black tea, breakfast tea, indian tea, tea tea etc. So it’s good news that Rooibos is actually good for you with lots of antioxidants, and not in any way bad for the health.

Now rewind a decade or two and somewhere in East London I discovered Palanquin Spiced Tea. If you’ve ever ordered masala tea in an Indian restaurant you may be familiar with the idea of pungent spices boiled with tea, usually boiled with the milk and sugar too.  Palanquin were the first to make it work as a tea bag, and not by any means as a pale imitation of the real thing.  You can get other spicy teas, such as Celestial Seasons Bengal Spiced, and the range of Yogi teas but the balance is all lop sided to my taste, whereas Palanquin gets it right. The only problem was, well two problems – availability was patchy. You could find Palanquin spicy teas in East London supermarkets for a while, but you know how fickle they can be with local products (Palanquin is now made in Essex) and being based on a black tea, you can only drink so many cups a day without getting overcome with tannins and caffeine, especially of you let it brew for a bit too long, in which case it just gets stronger and stronger. But now Palanquin have started blending Rooibos or Red Bush tea as well as the standard black tea, and red bush doesn’t do that. You can leave the teabag in the cup for half an hour if you like and it doesn’t get that stewed taste at all, it just goes cold. And when you’ve drunk the tea you can pour more boiling water over it and it makes a perfectly acceptable second cuppa. Roibos is everywhere now and there’s really little or no reason to drink black tea anymore, well maybe after a Turkish meal or something in a little glass.

But now for everyday tea drinking you can get red bush spiced tea from Palanquin and that’s just about the ultimate perfection as far as I can taste, if you can find it. Or order online one day when the website ordering system is up and running properly.

http://palanquin-tea.com/

Red Bush

Caffeine free

Palanquin Red Bush Tea, with its many positive health benefits is a great choice for health conscious people.

Red Bush

Cinnamon

Ginger

Cloves

Black Pepper

Cardamom

 

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How To Eat RAW Chickpeas (Garbanzos, Chana, Grams)

You don’t have to boil chickpeas for forty minutes or more to make them edible, you can eat them raw if you just allow them to go through a natural process that converts the inedible dry starches into tender sweet tasting legumes.

Raw Hummus with Sprouted Chickpeas Recipe

Sprouted Chick Peas And Raw Hummus

I won’t witter on about my record player again today, although the novelty of having one working still gives much pleasure, no I’m going to indulge another interest of mine – food.

The food is sprouted chickpea hummus.

I’ve been making raw hummus from sprouted chick peas regularly for months now,  and the recipe has settled down without much in the way of variation. It’s easy enough, nutritious, cheap and tastes great, so why tamper with an almost perfect recipe? Today I discovered a small improvement through the use of  brown chick peas instead of the usual light coloured ones. I tasted a few of the sprouted brown chick peas whole before mashing them up and the flavour is stronger, more like that of fresh green peas and less starchy, so that was promising and the resulting hummous didn’t disappoint either.   I don’t seem to have any photographs of my home made sprouted chick pea hummus and I don’t really do recipes with measured ingredients lists and separate methods, because that’s not how I cook so I’ll just list the contents and explain the minimum necessary.

The main thing I suppose is getting the chickpeas to sprout with a close to sprout with a close to 100% success rate. Soak overnight first and most of the next day, so about 16-20 hours is the kind of  time, as long as the dried peas have finished swelling up. It’s best to do a small quantity and then start up another batch a day or so later, rather than have too many at the same stage at once. So I use a glass jar, with the dried peas filling about 10 % of the jar, filled with water. The chick peas then swell to fill about a quarter of the jar, and I find that laying the jar on its  side prevents swelling peas from getting jammed in against each others, which is not the effect you want. They need to be able to move of their own accord if they want to. OK, so once soaked they need to be rinsed in cold water and the easiest way to do that is in situ, using a piece of muslin over the neck of the jar, fastened in place with a rubber band. That’s the best way to sprout stuff, in glass not plastic. The sprouts are rinsed again about twice a day, and are kept in the daylight in front of a window during the daytime, then I move them away from any cold draughts at night. This way I seem to be able to keep up production all the year around whereas previously I used to have trouble from around November onwards.

The sprouts are ready to eat raw in just about 2 days after soaking. Once the little white shoots are clearly visible on nearly all the chick peas, and before they are much longer than about one centimetre. You CAN let them grow on a bit bigger but they don’t improve and there is a risk of something going off so I think it’s best to halt the process and either consume or refrigerate the sprouts once the conversion of storage into growth has occurred and you can see the root shoot starting to move out from the little globe of transformed starches.

So that’s how to sprout chick peas, now for making the hummus.

Place the sprouts in a food processor, I use a moulinex mini chopper but anything with chopping blades will do. Don’t use a liquidiser goblet though, they just burn out when you add the tahini and everything slows down. Trust me, I tried several brands and anything less than a super expensive industrial grade liquidiser won’t last long under the demand.

Add cloves of garlic. To give an idea of quantities, I’m talking about enough hummus for two people’s substantial lunch here and that comprises half an ordinary coffee jar of sprouted chick peas, three small cloves of garlic or one big one. That sort of thing.

Start up the chopper, or ‘blitz’ the mixture I think is the current terminology for engaging kitchen power tools….  to roughly chop the peas and garlic together. Add a generous quantity of olive oil and chop finer, almost to a paste now. The rest of the ingredients are a good dash of cider  vinegar or white wine vinegar and some lemon juice. These are interchangeable really, so if you run out of lemons that’s not an obstacle. Black pepper, just a pinch of salt – commercial hummus is much too salty, for shelf life purposes. A pinch of cayenne pepper or chilli powder. A teaspoonful of sesame seeds. The tahini itself goes in last, after giving everything else a good blending, about a tablespoonful, including some of the oil if your sesame paste has separated a bit, which is quite normal with some brands. The ‘light’ tahini is perfectly acceptable too, but seems to just work out a bit more expensive because you tend to use more of it.

Now then, after adding the tahini and starting up the mixing machine again, everything will slow down and start to gum up because tahini is thick and sticky. Don’t carry on very long at that stage because that’s how you burn out motors. The trick now, is to start to add a small quantity of water, then a bit more, until the mixture frees up and blends to a paste, still with a bit of coarse texture though and then that’s perfect. Done.

So that was my recipe and technique for making sprouted chickpea hummus, an ideal raw food vegan nutritious and tasty meal or snack food.

With thanks to Dave’s Experiential Kitchen years ago for getting me started, and to Ian Tindal for the suggestion of sprouting brown chick peas.

 

 

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On My Gramaphone Record Player

I finally got around to setting up my gramaphone record player deck again yesterday after having a bit of a clear out during the week, to make some space. I’d mean meaning to do this for goodness knows how many years now, but you know how it is…

The Rutles

On the deck left over from whenever I last used it, and thus used as the test record to see if it the replugging was all working: The Rutles.

Great to hear old favourites like “Cheese And Onions” again. “The Rutles” album sounds just like an affectionate pastiche or a lost Beatles album, using similar sounding orchestration and composition techniques to those found on Sergeant Pepper, Abbey Road and other great Beatles records.

“The album contains some obvious send-ups of Beatles numbers such as “Ouch!” (“Help!”), “Love Life” (“All You Need is Love”), “Piggy in the Middle” (“I Am the Walrus”), “Doubleback Alley” (“Penny Lane”) and “Get Up And Go” (CD reissue only — “Get Back”). However, its real tribute is in its subtly layered blending of elements from many classic Lennon-McCartney tunes.” http://en.wikipedia.org/wiki/The_Rutles

After searching for the sleeve in which to put the vinyl record away, I found there was already another copy of the disc inside, which means I had two copies for some reason, and the one I had played was in much worse condition, which may have accounted for the slightly disappointing sound quality coming from the undersized loud speakers I had connected, and the way the record deck amp was connected through a mid range compact HiFi system.

Steve Tilston

Next up, after hearing Steve Tilston play one of his oldest songs “Normandy Days” in Maggie Boyle’s kitchen I was looking for his first “An Acoustic Confusion” album but instead out came “Songs From The Dress Rehearsal” his 3rd album, from 1977. Despite not having heard the songs for a decade or more, most sounded welcomingly familiar and beautifully recorded. After the worn out Rutles LP, this one sounded much much better with Steve Tilston’s voice in his mid 20s I think, mature and confident, always a technically impressive guitar player, here with very sympathetic arrangements. Now the advantage of analogue sound over compressed digital could be heard loud and clear with gorgeous acoustic bass, harmonica, voice and guitar separation. The single fold album cover has one slight problem though – the sleeve notes are printed over a black and white photograph and this makes some of them unreadable! This part is clear though:

“All the songs were recorded as played with only the minimum of overdubbing and I think a very good live sound is the result, totally approaching a performance and not at all like the vivisections that I’ve found myself taking part in before – in fact the session was so relaxed you can almost hear me smiling on some of the songs”

http://www.stevetilston.com/discography/songs-from-the-dress-rehearsal

Keith Tippett Group

 

Photo

 

I was chatting to Patrick Hadfield at the London Bloggers last week, who had a ticket to see Keith Tippett, still gigging apparently, which put me in mind of the great album I own called “Dedicated to you but you weren’t listening”. I decided at the time this would be the first record to go on my new set up, but it ended up 3rd but but no means last.

Wow. This album intrigues, thrills, delights and builds up into some really big sounds. Modern Jazz from 1971 with several members from early Soft Machine ( Robert Wyatt, Elton Dean, Roy Babbington) incarnations performing, well rehearsed, improvised and enthusiastically performed. This was all surprisingly familiar too, it’s funny how music memory survives so well.

http://www.mindyourownmusic.co.uk/keith-tippett-biography.htm

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Freely Distributed Research Data Coming Soon?


This is the problem: Academic research findings are currently distributed mainly in expensive journals and publications. These are hard to find with restricted access and either unavailable online or only accessible by subscription via another expensive paywall. Often the source data is omitted. This reduces the number and type of people who can benefit from scrutinising the research data and limits the progress of science to the detriment of all.

It isn’t totally clear who is mostly responsible for this state of affairs, but the most likely culprit seems to be a combination of academic publishing houses, university institutions and an elite of the most established academics themselves.

Recently a campaign has been born to try to free up the results of published research from out of the hands of the worst exploiters.

Elsevier — my part in its downfall.

Elsevier is not the only publisher to behave in an objectionable way. However, it seems to be the worst.

http://gowers.wordpress.com/2012/01/21/elsevier-my-part-in-its-downfall/

while other blame the University establishment:

it’s not publishers. It’s the universities themselves.

http://scholarlykitchen.sspnet.org/2012/04/12/the-academic-spring-shallo-rhetoric-aimed-at-the-wrong-target/

And now here comes news that none other than Jimmy Wales, the man who took the credit for Wikipedia and a well known Ayn Randian, is being drafted in by the libertarian Conservative/liberal British government to help “make all taxpayer-funded academic research in Britain available online to anyone who wants to read or use it.” And it’s not just the abstract, summary of findings or the written up research conclusions which are intended to be distributed in an accessible form either:

“One of the big opportunities is, right now, a journal article might be published but the underlying data isn’t and we want to move into a world where the data is published alongside an article in an open format, available free of charge”

http://www.guardian.co.uk/technology/2012/may/01/wikipedia-research-jimmy-wales-online

There has also been a move by one of the big funders of research to back Open Access:

But science in general isn’t complete until it’s been published, and for the Wellcome Trust we want to maximise the impact of the research that we fund. That’s why open access is so important; research isn’t finished until it’s been published, and by publishing the results of the research that we fund in open access formats it means that as many people as possible are able to have access to the literature without any hindrance at all, and that of course will ultimately maximise the value and the outcomes of the research that we fund.

http://www.wellcome.ac.uk/stellent/groups/corporatesite/@msh_peda/documents/web_document/wtx063305.pdf

Posted in Internet, Wiki | Tagged , , , , , , , , , , , , |

iPad Roaming with 3G or WiFi

You do see a number of iPads or other tablets out and about on the tube and at meetups, but nowhere near so many as the smartphones which are everywhere. I wonder how many are tucked away in people’s bags though, and do come out when they reach their destination, or at various top off points for coffee etc. On the whole though the iPad is probably most at home semi permanently based either in the workplace or on the sofa. That’s when it’s getting hammered as a useful day to day tool for looking anything up or showing somebody something. It’s just that you get so used to being to do those two things whenever prompted, that being stuck somewhere without any connectivity starts to feel like having your ears cut off, or some other body part.

Luckily I opted for the 3G specification when I ordered my iPad a year or so ago, and it came with an O2 micro sim card which allows it to connect like a mobile phone wherever there is cellular network coverage, which basically means almost anywhere at all except my mum’s house, or places where I like to hide away on holiday sometimes, which is not necessarily a bad thing. That’s not a free service though, so you either have to sign up for a regular monthly contract, again like a phone, or else pay £10 or £15 for one month which I’ve ended up doing only for about one third of the past 12 months. Yes! I spend a lot of time staying at home.  Oh by the way, that’s a recurring monthly charge so you have to remember to cancel it again if you only want to take it out for one month. I forgot once. The data allowance sounds a bit low but it’s actually quite generous and I never exceeded it, it’s just badly worded so you can get confused between a daily or monthly allowance of 1Gb. You can watch a few youTube videos a day ( if the reception is good enough) without going over, perhaps not if it’s every day, but my pattern of usage tended to be to activate one month and then use it heavily for just one week.


The access speed with 3G can be frustratingly slow though, so it’s always better to connect the iPad to WiFi if you can. And that’s getting increasingly easy in population centres with many retail places and public service buildings providing some sort of free WiFi. Wetherspoons and Starbucks come to mind immediately, but more and more independent pubs and cafes have it too now. Businesses often provide a public wi-fi service for their visitors too, but one of the most convenient services is the BT FON system. This uses domestic homes broadband routers to grant access to each other when out and about. So if you have a BT broadband service at home, when you are out somewhere in a residential area, you can nearly always find a WiFi connection that you can log into using your own broadband account. How cool is that?

Posted in Internet, iPad2 | Tagged , , , , , , , , |

time capsule April May iPad and Podcast

I get sent these ‘time capsules’ about once a fortnight, depending on whether or not I uploaded any interesting photographs about one year ago, and they usually serve to remind me of something worth revisiting, even if it’s only to get an idea of how time is passing where different events fit together. The one below shows that I’d only just got a new iPad and had started to experiment with photo manipulation apps such as tinyplanet, and a very basic wireframe drawing app. There’s also a mindmap created on the iPad, and a picture of the Theatre Royal theatre bar in Stratford, where I’d played a few songs that ended up on one of my podcasts.

tiny cars #TinyPlanet


Taken April 26, 2011 at 4:57 pm

 

Radio


Taken April 29, 2011 at 10:07 pm

 

Some things I can’t do on the ipad 2 yet.


Taken May 3, 2011 at 3:28 pm

 

showoff


showoff

Taken May 6, 2011 at 10:46 pm

 

 

Knees up Theatre Royal Podcast #46


 

Posted in Flickr, General, iPad2, podcast |