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HaverFolk News26th January, 2012 Hi all, Newsletter time once again with a report of last nights’s Andy Roberts feature evening from John the Fox. Havering report 25 January: A splendid turnout for our guest artist Andy Roberts (Haverfolk’s Andy not the Liverpool Scene one) meant the number of floor spots was restricted (the guv’nor Simon Oliver led by example and stood down, despite having practised something special for the evening). Proceedings were opened by our Hillbillies Pep and Terry playing a quick bluegrass piece then leading all-comers in the songs You Ain’t Going Nowhere and Worried Man Blues. MC for the night Smolovik formally opened proceedings with Down By the Riverside then called on Foxen who performed Freewheeling Days, their tribute to the late Suze Rotollo, Bob Dylan’s girlfriend who is pictured on the front of his Freewheeling album. Our own Thief of Dadgad, Graham Harrison, marked Burns Night by singing Archie Fisher’s Lindsay. Concertina and guitar duo Bernie and Maureen Pilgrim gave us Grandfather’s Tune and Uncle Bernard then violin maestro Richie Barratt made a welcome return, accompanying Micky Brown on a song we think was called Can’t Wait Till the Weekend Comes. Newcomer Di Russell accompanied herself on mandolin for a Mumford and Sons song, Awake My Soul and Ray Spillman, recovering well after his recent stay in hospital sang Norwegian Wood. Poetess Carol read us a brief ode written during a workshop she went to on hands and Peter Walters sang Gypsy Rover. Then it was time for the main event. Andy has a growing reputation as a songwriter and treated us to an hour and three-quarters (with a break) of mostly his own compositions. [ full setlist ] Old favourites such as London Bridge (which Haverites insist on calling the Cormorants) and Winter In Andalucia jostled with newer compositions such as Never Was to Be (an online collaboration with lyricist Daryl P Hall) and Clean Living Woman Blues (lyrics by Andy’s partner Linda Hartley). As it was Burns Night he gave us two of his Scotland-inspired numbers The Last Nail and The Rowan Tree (not to be confused with the Scottish ballad written by Lady Nairne). We also got a version of his epic, Gernika, inspired by a visit to the Basque city on the anniversary of its bombing by the Luftwaffe. He finished off with his song Cajun Music Cajun Food and invited Pep on banjo and Richie Barratt and John Foxen on fiddles to join him. He was called back for a well deserved encore and aptly provided The Last Subway Home, reminding us it was time to take the last train. A fine end to a fine evening. – John Eason Local Round-Up: This Sunday, 29th January the FaB Club has a “Club in the Pub” session featuring Al Neville & Friends. www.fabclubgrays.com There is a singaround at Waltham Abbey Folk Club on Monday, 30th January; all welcome. www.walthamabbeyfolkclub.com This coming Tuesday, 31st January sees a guest night at Romford Folk Club with C’est la Vie; the compere & commere are Mick & Nora. www.romfordfolkclub.com Also on Tuesday, 31st January the Hoy at Anchor Folk Club has a guest evening featuring Tony McManus. I quote direct from their website: ”Tony McManus is the Jeff Beck of the acoustic guitar”; ”His guitar playing is faultless…atmospheric and evocative…consistently appealing” just two of the many glowing reviews attributed to this guitar virtuoso. In the course of his relatively short career Tony has established a reputation as the best Celtic guitarist in the world…the man whose fellow guitarists would aspire to and are in awe of!” www.ridgeweb.co.uk On Thursday, 2nd February, Loughton Folk Club has guest Josienne Clarke; again I quote direct from the website: “Josienne Clarke is now one of the leading lights in the current folk revival movement. Her music is borne from sincere and succinct songwriting, distilled through traditional folk, executed with skill and dexterity. Come and see!” http://www.loughtonfolkclub.btck.co.uk/ also www.josienneclarke.co.uk Back to Haverfolk: Our next open session is on Wednesday 1st February when all are welcome to claim a floor spot. The first 15 to give their names to the night’s MC are guaranteed at least two songs. After that, it depends on how many we have, but we’ll try to fit you in for two if we possibly can. That’s it for this week – a rather shorter-than-usual newsletter, but not so much happening this time. Make it a date- Wednesday at eight! Cheers – Peter Walters HaverFolk, The Function Suite, The White Horse, 118 High Road, Chadwell Heath, Romford, RM6 6NU |
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YouTube allows the rediscovery of highlights from very distant memory, in this case the seminal TV series ‘Do Not Adjust Your Set” featuring the Bonzo Dog Doo Dah Band.
Here they are performing “Hunting Tigers Out In Indiah”:
“I really did see them in black and white!”
Somebody called ‘Dormouse’ in the alt.fan.bonzo-dog newsgroup put me onto these videos, but with YouTube it takes no time at all to browse around and find more rare gems. The live concert in Belgium, extracts from films, interviews, alternative performances and outakes – they are all there.
Incidentally, alt.fan.bonzo-dog was the first online group I ever founded, in February/March 1998 the the process of which I learned a lot. Here is the original charter:
Date: Thu, 26 Mar 1998 20:46:11 -0000 Organization: ESBI Lines: 54 Sender: richard.bryant@ukonline.co.uk Approved: richard.bryant@ukonline.co.uk Message-ID: NNTP-Posting-Host: p81-as2.dubexs.tinet.ie Summary: Newgroup message X-Newsreader: Anawave Gravity v2.00 Xref: news.isc.org control.newgroup:17319 For your newsgroups file: alt.fan.bonzo-dog The Bonzo Dog (Doo Dah) Band: Neil Innes, Viv Stanshall etc DISCUSSED IN alt.config: proposal for alt.fan.bonzo-dog posted by andyrobts@aol.com on 19th March 1998. reply from Sysop 20th Mar. Justification posted, various contributions demonstrated strong international interest and traffic in newsgroups. Name finalised without -band.Richard Bryant suggested posting a Charter, charter posted No further objections. JUSTIFICATION: A dejanews search on bonzo+dog indicated 2100 matches. There is a mailing list with 65 subscribers which is intended strictly for low volume informative posts. It is envisaged that this would continue and the ng will attract wider ranging discussion, probably medium volume traffic. References to the Bonzo's regularly crop up in alt.fan.capt-beefheart, alt.fan.frank-zappa, alt.comedy.british, alt.fan.monty-python newsgroups. Also in rec.music.beatles, rec.music.dementia, rec.music.rock-pop-r+b.1960s.
CHARTER:
A forum for fans of the ‘The Bonzo Dog Band’ previously known as
‘The Bonzo Dog Doo-Dah Band.
Topics might include the recorded output of the Bonzo’s, TV shows and
videos and the careers of former band members. No commercial
advertising allowed unless for goods or services related to the
subject of the group. Private individuals may advertise their Website
or business in their signature files . Binary postings are forbidden.
All Binary files should be posted onto the relevant group with a pointer
to them in this group Format: Text files only, HTML , graphics and
sound files should be placed on the Web with a pointer to them in
this group
Moderation:
The newsgroup will not be moderated. We are an anarcho-syndicalist
collective with a rotating chair.
The suggested possible circles are an interesting starting point. When people start to “add” you on G+, they are just names, and you can’t see their circles, so how will you know which circle of yours to put them into?
Keeping the circles well organised like that sounds like a lot of work, but ultimately might just be worth it.
Andy Roberts, Songwriters Circle
You would be hard pressed to NOT have heard of Google+, the newest social networking and sharing tool from Google which after one month of existence boasts around 18 million users. Artists are already bombarded with a plethora of tools to help them connect with their fans, but Google+ truly adds some unique features which have great potential for integration into a musician’s marketing arsenal.
Overview:
Google+ consists of a content stream, photos, sparks, hangouts, and chat. While these features are nothing groundbreaking, the feature pulling all of the others together is Circles. Circles allow you to put contacts into different, self-defined groups, which control what content you see and share. Since there are a number of good articles explaining the basics of the platform, let’s get into how each feature may be utilized by an artist.
Note: Currently only personal accounts exist and Google has suggested that businesses (artists) postpone creating accounts until special business accounts currently under development are made available.
Circles:
Circles is where the magic of Google+ takes place. You can create as many Circles as you want, and add people by simply dragging their info into a Circle. Once your Circles are created, you can share content to select Circles as well as view content streams from specific circles. Artists should start by importing their mailing list addresses into Google+, posting their info on their existing marketing channels (facebook, twitter), and inviting those not yet using the service to join.
Now that you have your contacts, it is time to organize your Circles. It should be noted that your Circles are private, so others cannot view or be offended by your orginizational decisions. Some possible Circles include:
- Industry Representatives: You probably only want to share updates concerning your latest releases, videos, and press content with industry folk who may be following you as they are less concerned about the burrito you just consumed.
- Fans: This is where you can share the content your fan base enjoys reading. Let them know about your whereabouts, experiences, touring or recording progress, post photos and music etc…
- Breakdown the Fan Circle into smaller circles to have more defined targeting. For example, create Circles for different areas of the country and international fans to ensure you aren’t over promoting shows to fans thousands of miles away. If your fan base includes young teens, young adults, and older adults, consider categorizing these contacts as well. Each group prefers to be spoken to in different tone and filled in on different activities. Sometimes even male and female Circles make sense.
- Other artists: Much like yourself, other artists are learning from experiences, trying out new marketing ideas, using new services etc…Follow what others are doing and share what you know with others in your position.
- Following: Much like Twitter, you can follow others without being Circled back. This is good for keeping up with informative figures who may not call for reciprocal sharing.
Knowing which content your various Circles enjoy receiving will help ensure that only the most suitable posts make it to their stream.
Sparks:
Sparks are similar to your RSS feed or Google Alerts. Simply add some interests and topics you’d like to follow and check it ever so often to stay up to date.
Hangouts:
This is another great feature for artists. Hangouts are hosted group video/audio/text chats. If you’ve used Ustream, it’s a little similar but even more interactive considering you can see and hear the other members in the Hangout. It is really a great way to allow your fans to get to know you as well as for you to get more acquainted with your fans. Host special Hangouts for your different Circles and maybe play an acoustic set, have an open question and answer session, or just let your fans connect with one another.
The features are there, but the success of Google+’s ability to provide artists with the ultimate marketing tool will largely depend on how many users ultimately adopt the platform. Overall, Google+ will provide artists a way to more meaningfully connect with their audience.
Please share your thoughts and ideas concerning Google+ for artists as this is unexplored territory that begs for creative implementation. If you aren’t yet a part of the club, post your email and I or another kind soul will send you an invite.
Scott Horton helps recording artists achieve the ‘sound in their head’ by providing his technical and creative sonic input through his online mixing service Virtual Mix Engineer.
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Dear Artists,
First of all; we are really glad to hear that you are interested
in getting your music onto Spotify.
We appreciate your patience since you signed up to the Spotify
Artist and Label list. The reason why we haven’t gotten back to
you earlier is that we haven´t been ready to launch our own
uploading-platform. Our time and energy has gone into uploading
thousands of tracks every day from our existing partners which
is a continuous process. However, getting independent artists
music onto Spotify is important to us so we’re working on various
solutions to assist artists.
The current solutions we offer indie artists offer are CDBaby, Ditto Music and Record Union. They are artist- aggregators, who we’ve recently made an agreement with, and we highly recommend to you as a method to get your music onto Spotify. With them you can create a standard agreement and upload your music onto
Spotify as well as deliver your music to other great services such as 7digital and Amazon.
So if you want to join Spotify as soon as possible we strongly recommend you to go one of the following sites:
We’re really looking forward to having your music on Spotify soon!
Regards,
The music team at Spotify
| It’s Podcast 44 – Romford Folk Club part 2 |
| June 12, 2011 at 5:27 PM |
Andy Roberts Podcast 44Episode 44 of the Andy Roberts Podcast continues the soundtrack from the Romford Folk Club guest night of April 12th with six more self written songs performed live. Here’s the download and play link etc:
Download MP3 to save – 38 Mb in size, playtime 26 minutes 20 seconds :- 44 Andy Roberts Podcast Episode 44.mp3 Andy Roberts Podcast #44 ShownotesShow Notes for Podcast 44 |
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